| SOUND REINFORCEMENT:* |
| 1. Pro-quality 24-channel mixing console with
adequate Equalization (EQ). |
| 2. High quality digital effect. (MidiverbIII,
Yamaha REV-7, LEX PCM-70, etc.) |
| 3.
5 on stage monitors or 5 in-ear set ups (will provide own ear-buds) |
| 4. Separate monitor board and engineer with 5
mixes. (Unless otherwise agreed)* |
| If only 4 mixes Keys and Sax player will share.
If only 3 mixes Keys, Sax and Bass player will share |
| 5. 4 hardwired mics, 7 drum mics, 1 timbale mic,
1 guitar mic or DI, 1 bass DI, 1 keyboard DI and 1 drum machine DI,
plus all stands, booms and cables. |
| 6. Adequate amps, crossovers, and speakers for
full range (tri-amp) live sound reinforcement with subs at or near
dance floor, adequate enough for the number of people expected at
the event. |
| STAGING:* |
| 7. 16’x32’ stage or larger, but no smaller than
12x24. Drum stage 8’x8’.* |
| 8. Overhead stage lighting-at least 8 par 64’s |
| BACKLINE:* |
| 9. Drums-Full pro-quality set (Gretsch,
Tama, DW, Pearl) 22" Kick, Snare, 10" 12" 14" & 16" Toms, Hi-Hat
with 14" cymbals, 22" Ride, 16" & 18" Crash - all on booms, Kick
pedal, Drum throne, and spare heads for Kick and Snare. |
| 10. Bass-One Hartke, SWR, or Trace Elliott
4x10 cabinet with Hartke, GK, SWR or equivalent head. |
| 11. Guitar-Mesa Boogie, Marshall or Fender
Twin 100-watt 2x12’s with channel switching. |
| 12. Keyboards-One
scissor keyboard stand that will support a Roland Phantom S-88
keyboard |
| 13. At least three guitar stands. If you have any
questions, please call Ron: 818-249-7991, cell phone
818-618-9165. |
| DRESSING ROOM:
water, coffee, soft drink (no diet), deli tray or meal (one
vegetarian).* |
| PARKING & UNLOADING:
Parking for five vehicles (one with
oversize trailer), instructions on unloading as near as possible to
site of the performance. |
| LODGING:
5 DOUBLES* (No Smoking Rooms) |
| *Some of the above may not apply depending on
the contents of the contract. |
